There have been a few sites that have posted reviews on the new line of Panasonic video cameras. Namely the GS-500 and GS-250.
Camcorderinfo.com and Panasonic 3CCD User have been a little harsh in their reviews. Last years models, the Panasonic GS-400 & the GS-250 were the sweethearts of these two sites.
So what went wrong ?
Personally I think Panasonic made a mistake by assigning the model number the way they did. It is intuitive to think that the GS500 is an upgraded model from the GS400. The same holds true for the last years GS-250 and this years GS-300.
If you compare the feature set of the last years GS-250 and this years GS-500 you will see a much better alignment of features. It is unfair to compare last years GS400 with this years Panasonic GS500.
All of the “manual” features that these sites lament for are great for amateur filmmakers and enthusiasts. But what about the regular Joe that wants to shoot vidoes at recitals and sporting events ?
The fact is I do not think you can find a better camera than this years GS300 and GS500. They shoot perfectly fine in automatic mode. I own a GS250 and I almost always leave it in Auto for all types of conditions. If you’re shooting a play or recital there is no way you will have time to react to adjust white balance, focus, iris etc on the fly. That is why they call it automatic. And believe me it does a great job.
I have to admit I was a little dis a pointed at the loss of the headphone jack from the GS-250 to the GS500. That is one feature I do like to use when I use my external Rhode VideoMic.
There will always be members of the “cork sniffers society” that will turn there noses up at these new models. But for the rest of use they will perform just fine.